Critical Remix: The Role of Sampling in Transformative Works
Remix is the practice of producing media objects composed of previously published media elements, which have been appropriated, repurposed and reconfigured in the creation of new works. There is growing confusion over the meaning of ‘remix’ in mainstream and academic discourse, which has resulted in a broadening of the term to include non-remixed cultural texts, such as remakes, adaptations and parodies. Remix is now considered by many to be a form of derivative work; however, it is a fundamentally transformative practice. Such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. This ongoing research project is supported by the websites www.criticalremix.com, www.remixstudies.com and www.totalrecut.com
Eduardo Navas, Owen Gallagher and xtine burrough, 2014, “The Routledge Companion to Remix Studies”, Routledge: USA.
Owen Gallagher, 2014, “Reclaiming Remix: The Critical Role of Sampling in Transformative Works”, PhD, NCAD: Ireland.
Gallagher, Owen, 2013, “Remix Semiosis as Ideology Critique: A Visual Semiotic Study of Critical Remix Video”, Gramma Journal of Theory and Criticism (Vol.20, No.1), Aristotle University of Thessaloniki: Greece.
Gallagher, Owen, 2012, “The Assault on Creative Culture: Politics of Cultural Ownership”, The Participatory Cultures Handbook, Aaron Delwiche & Jennifer Henderson (Eds), Routledge: USA.
